I’m a picky reader. While I read a lot, I don’t venture too far away from my favorite authors. My preference is romantic suspense and mysteries with a little romance strewn in. My go-to authors are Nora Roberts, Sandra Brown, JD Robb (yes, I know that’s Nora), Janet Evanovich, Heather Graham and my newest is Michael Murphy’s Jake and Laura Mysteries (ala The Thin Man). But several years ago I read Mr. Perfect by Linda Howard and really loved it. I must have read a few other Linda Howard books at the time, but eventually, I stopped.
I picked up my running this summer and now I run long enough that even the music on my iPod isn’t enough to keep me from getting bored. I decided maybe listening to audio books would distract me. The first book I listened to was Janet Evanovich and Lee Goldberg’s The Heist, which I really enjoyed and will continue the series.
The problem with digital audio books is that they’re expensive. Audible is fairly affordable, but $15 for an audio book adds up if you buy a lot (granted, I spend a lot on print or ebooks, so maybe it’s a matter of changing my mindset).
My next stop was Overture, which allows you borrow digital books from your library. The only problem with this option is there aren’t a whole lot of audio choices (that I’d listen too…remember…I’m picky), and the ones that are there, have a waiting a list (I’m number 16 for a Sandra Brown novel). However, Linda Howard’s Prey was available and since I remembered Mr. Perfect, I decided to rent it.
I really enjoyed Prey, a story about two wilderness hunting guides who get stalked by a bear and a bad guy. So, when it came time for my next Audible rental, I chose Open Season, another Linda Howard novel.
You know how some books just stay with you? Mr. Perfect did and I think Open Season will too. Even though I make a living with words, it’s difficult for me to pinpoint what it is about this book that has me feeling sad that I’m about to finish it (I’m writing about it and I haven’t heard the ending yet!). The female protagonist, Daisy, is refreshing. She’s not innocent, though she is a little naive. She’s not afraid to speak her mind and she has really fascinating, and sometime funny, thought process. What could have been a cliched story about a tiny town, frumpy librarian, turns out to be really delightful. The male protagonist is strong and tough from Chicago via New York, but he’s not the typical brooding guy wanting to keep the world at a distance because of the horrors experienced as a former SWAT guy and a failed marriage. He’s brusk, but not mean and he gets as much of a kick out of Daisy as I do. Add in that the story is set in the south, which, when done well, becomes a part of the story as well.
The story is frumpy, 34-year old librarian Daisy determines she wants to get married and have kids, which means a makeover and visiting bars. Jack is the police chief, who notices Daisy before the makeover, but mostly because of her personality. After the makeover, many people notice Daisy. Jack doesn’t like that very much and although he’s not interested in settling down, he is interested in her.
Initially, Daisy is annoyed with him because he’s getting in the way of her plans to find a husband. But once he kisses her (her head dialogue during that kiss is great), she decides she likes his kisses and spends more time with him. When Jack learns someone is trying to track her down because she witnessed a murder, he goes into protection mode, which puts them together even more.
It all sounds pretty typical as I explain it here. And part of my enjoyment may be that the reader of the audio book is pretty good. Her southern accent is just what I might expect in small town Alabama. More likely it’s the humor, Daisy’s delightful personality and the fact that it’s romantic suspense without being dark and broody. The love scenes include Daisy’s effervescent outlook of the world and the humor that makes up her life (like when Jack refuses to wear the purple condom from the “Party Pack” of 72 condoms). A change of mood in reading is nice sometimes!
My only beef with Linda’s writing, which I experienced more so in Prey than Open Season, is a few too long narratives. She also revisits some of the narratives, which had me saying, “You already told me about that.” It would have been stuff I skipped if I was reading the book, but since I was listening to the audio version, I had to endure it.
All in all, I’m enjoying Linda’s stories. They’re not quite as humorous or quirky as Janet Evanovich or Jennifer Cruisie, but I still laugh out loud, which must be a sight when I’m running.